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Review from ArtScene
• XIE XIAOZE
Xie offers a complex and invigorating treatment of the media’s constant transmission of events via newspapers, TV, internet, etc., as a stream of information that transpires and expires almost as quickly as people can digest it. His ink on rice paper and oil paintings are a hybrid blend of traditional lyrical Chinese ink paintings, Socialist Realism and present-day documentary photography, laced with a decisively political and moral undertone, and suggesting that absolute power corrupts absolutely irrespective of geopolitical boundary or ethnic identity (at MoronoKiang, Downtown).
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• XIE XIAOZE
Xie offers a complex and invigorating treatment of the media’s constant transmission of events via newspapers, TV, internet, etc., as a stream of information that transpires and expires almost as quickly as people can digest it. His ink on rice paper and oil paintings are a hybrid blend of traditional lyrical Chinese ink paintings, Socialist Realism and present-day documentary photography, laced with a decisively political and moral undertone, and suggesting that absolute power corrupts absolutely irrespective of geopolitical boundary or ethnic identity (at MoronoKiang, Downtown).